Broadly speaking, the UC1 sounds a tad darker, a bit more mysterious when played gently. But, obviously due to the size and wood choice, each has its own personality. The intonation on both is accurate, thanks to the compensated saddles, and the notes at the highest frets ring true and clear.īoth the UC1 and the UT2 K sound outstanding, with sweet and complex voices that lend themselves to all styles, from the most basic triadic accompaniment to solo classical fare. The fretboards have a 12-inch radius and a perfect low action-the notes do not distort when the instruments are played heavy-handedly. The neck profile on each is an easy C shape. It’s deeply satisfying to play both instruments.
Weighing 14 ounces, and one pound, three ounces, respectively, the UC1 and the UT2 K I reviewed are lightweight and comfortable to hold. On the UT2 K, the finish is rubbed to a sumptuous, even gloss, and a peek inside each uke finds that everything has been meticulously joined, without a hint of excess glue to be found. The frets are perfectly crowned and polished, the bone nuts and saddles carefully notched.
This uke also sports Collings’ trademark asymmetric “haircut” headstock, a smart modern flourish.Ĭollings’ guitars are known for their impeccable craftsmanship, and so it comes as no surprise that both ukuleles are faultlessly built. Its koa, with a lovely wavy figuring and overall luminous appearance, adds a bit of eye candy to the proceedings, as do the ivoroid body binding with black-and-white purfling and the abalone rosette. The UT2 K, in contrast, is a bit more luxurious. Rather than seeming cheap, this lower-priced option feels elegantly streamlined. Though the instrument is on the plain side, all of its woods are beautifully grained the mahogany has a nice, even pattern with a hint of figuring and all of the rosewood components have attractive striations of varying shades of brown. With its rich dark stain, the UC1 has an appearance reminiscent of an old Martin, an effect helped out by the tuners and a headstock whose sides meet at a single central point. They also come equipped with Pegheds planetary tuners with ebony buttons, which look like vintage friction tuning pegs, but make tuning a breeze with 4:1 gearing inside.īoth instruments are nice to look at, and aesthetically speaking, form a nicely contrasting duo. Though the UT2 K is nearly 70 percent costlier than the UC1, the two ukes share common features: they’re made from all-solid woods, mahogany back, sides, and top on the UCI and figured koa on the UT2 K and both have a mahogany neck with a rosewood fretboard, headstock overlay, and bridge. Having recently been enticed by a row of Collings ukes hanging high on a wall at McCabe’s Guitar Shop, the Los Angeles–area instrument institution, I was thrilled to receive two of these instruments for review: a UC1 (which stands for ukulele concert 1) and a UT2 K (ukulele tenor 2 with koa). (The company has also been known to offer limited-edition variations, like a maple archtop version.) The least fancy, those designated with the suffix 1, have a satin nitrocellulose finish and a minimum of cosmetic embellishment the fanciest, labeled 3, have a high-gloss nitro finish, lots of binding, and an abalone rosette, among other flourishes. In its standard ukulele line, established in 2009, Collings offers both concert and tenor models, in three different levels of ornamentation. What started off as a one-man operation is now an 80-employee company using a combination of computerized machinery and traditional hand tools to produce up to 3,000 instruments each year-250 to 300 of them ukuleles.
The Austin, Texas-based company is presided over by Bill Collings, the luthier who in the mid-1970s skipped out of medical school to build guitars inspired by prewar Martin and Gibson flattops. But, five years ago Collings started giving the ukulele some love. In its four-decade history, Collings Guitars has made smart, modern interpretations of the widest range of golden-era guitar designs-acoustic and electric, flattop and archtop-not to mention a selection of mandolins and mandolas. Subscribe to Ukulele on By Adam Perlmutter
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